Michael Chaves Sucks ((full)) 🔥

Chaves' The Curse of La Llorona (yes, he directed that) is the cinematic equivalent of a wet match. Flat performances, nonsensical lore, and jump scares so predictable you could set your watch by them. It's the kind of film that makes you miss when PG-13 horror at least tried to be clever ( The Ring , Lights Out ).

The Devil Made Me Do It wasn't just a bad sequel—it was a betrayal. Wan's films breathed with patience, spatial awareness, and character. Chaves' version? A frantic, effects-driven courtroom-horror hybrid where the Warrens feel like guest stars in their own mythology. The iconic "clap" was replaced by CGI shadow monsters and a plot that made Annabelle Comes Home look like The Exorcist . michael chaves sucks

Michael Chaves doesn't "suck" because he's incompetent. He sucks because he represents everything corporate horror has become: risk-averse, over-reliant on IP, and terrified of silence. His films aren't crafted—they're assembled. And in a genre built on atmosphere, that's the real curse. Chaves' The Curse of La Llorona (yes, he

When James Wan handed the keys to The Conjuring franchise to Michael Chaves, fans braced for a new visionary. Instead, they got a journeyman who confuses volume with velocity, noise with nuance, and CGI contortions with genuine dread. The Devil Made Me Do It wasn't just

If James Wan is horror's architect, Michael Chaves is the guy who shows up late with a hammer and no blueprint. And the cracks are showing.

The Curse of Diminishing Returns: Why Michael Chaves Represents Horror's Laziest Era

Chaves took a character with genuine iconographic power—Valak—and drowned her in exposition, murky lighting, and a school-setting retread that offered zero innovation. The scares aren't earned; they're scheduled. Every quiet moment exists only to count down to another loud noise and a pale face with black eyes. It's horror by checklist.