Nearly two decades later, the xXx franchise remains one of the most fascinating anomalies in action cinema: a series that is simultaneously a relic of the early 2000s "extreme sports" craze and a prophetic blueprint for the modern, meme-fueled, globalized blockbuster. Directed by Rob Cohen (who had just directed Vin Diesel in The Fast and the Furious ), the first xXx operates on a simple, brilliant premise: What if James Bond was a punk rock stuntman?

Vin Diesel returns, but he is no longer just an actor; he is a producer and franchise architect. The film assembles a "team" of international misfits: Donnie Yen (as a knife-wielding martial artist), Deepika Padukone (bolstering the Indian market), Ruby Rose (the DJ/weapons expert), Tony Jaa (muay thai legend), and Nina Dobrev (as the comedic tech wiz).

The film was self-aware. It didn’t try to beat Bond at sophistication; it beat him at volume. The soundtrack (featuring Gavin Rossdale, Drowning Pool, and Mushroomhead) was a nu-metal time capsule. The stunts were practical and visceral. And Diesel, in his post- F&F prime, oozed a specific kind of blue-collar charisma. It was a massive hit, grossing nearly $300 million worldwide. The Sequel Without the Core (2005): xXx: State of the Union If the first film was lightning in a bottle, State of the Union is the cautionary tale of franchise mismanagement. Vin Diesel opted out (choosing to star in The Chronicles of Riddick instead), so the studio pivoted hard.